“But what are you going to do?” asked Hetty. And immediately afterwards the curtain was drawn aside, and disclosed the Satanic countenance of Jonathan Wild, who had crept into the house unperceived, "I'll tell you, why he can't go back to his master," cried the thief-taker, with a malignant grin. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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