He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. In the adjacent apartment Ann Veronica found a middle-aged woman with a tired face under the tired hat she wore, sitting at a desk opening letters while a dusky, untidy girl of eight-or nine-and-twenty hammered industriously at a typewriter. He had been reading Belfort Bax, and declared himself a convert. “And what is it all about, Veronica?” he asked, with a deliberate note of irony, looking at her a little quizzically over his glasses. Charcoal. “Come,” he said, “this is capital, capital. ’ ‘Of what use to be ladylike when I cannot be a lady?’ ‘None of that.
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