The chief scene of these disgusting orgies,—the cellar, just referred to,—was a large low-roofed vault, about four feet below the level of the street, perfectly dark, unless when illumined by a roaring fire, and candles stuck in pyramidal lumps of clay, with a range of butts and barrels at one end, and benches and tables at the other, where the prisoners, debtors, and malefactors male and female, assembled as long as their money lasted, and consumed the time in drinking, smoking, and gaming with cards and dice. “You have put all your life in my hands,” he declared. She recognized the cloth at once, waylaid him, and with that directness of speech particularly hers she explained what she wanted. There must be real Valjeans, else how could authors write about them? Supposing some day she met one of these astonishing creators, who could make one cry and laugh and forget, who could thrill one with love and anger and tenderness? Most of us have witnessed carnivals. They were on their way back home, or so she had thought. This horrible piece of deformity, who acted as drawer and cellarman, and was a constant butt to the small wits of the jail, was nicknamed the Black Dog of Newgate. It had seemed to her that life might be very good indeed with his kindliness and sacrifice about her.
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