” “Sounds good. I never had even a real doll," she added, as she snuggled the flea-bitten head to her heart. ’ ‘Melusine, did you say?’ Mrs Sindlesham sighed. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Old implements of housebreaking were discovered; and the thief-taker's most hidden depositories were laid bare. Uttering a few inarticulate ejaculations,—for he was completely out of breath,— the fugitive placed a bundle in the arms of the carpenter, and, regardless of the consternation he excited in the breast of that personage, who was almost stupified with astonishment, he began to divest himself of a heavy horseman's cloak, which he threw over Wood's shoulder, and, drawing his sword, seemed to listen intently for the approach of his pursuers. This person—this Jonathan Wild, whom I beheld for the first time, scarcely an hour ago, in Wych Street, is—I know not why—my enemy. "Owen, Owen," pursued Mrs.
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